• Women Beyond the Mold: Sarah Burton Reimagines Givenchy in New Campaign

  Givenchy has unveiled its Fall/Winter 2026 women’s campaign, bringing creative director Sarah Burton’s new vision for the house to life. Shot in Croatia, the campaign was photographed by iconic photographer Juergen Teller...

• Adidas Launches Soccer Collection for Dogs and Cats

  Adidas has expanded its lifestyle line with the launch of the FC Collection for Pets 2026–27, created specifically for pets. Now dogs and cats can head out for walks wearing miniature soccer kits representing their favorite clubs...

• Celebrity-Favorite Bridal Brand Lands in Scandal Over "Diabolical" Dresses

  A New York-based bridal brand popular among celebrities and influencers, Undone by Kate, has found itself at the epicenter of a massive social media backlash after brides widely shared stories of disastrous fittings and atrocious dress quality...

• From $1,170 to $2,250: Miu Miu Unveils Updated Cult "Bubble Shoe" Sneakers

  Fashion house Miu Miu revisits its archives once again. For the Fall/Winter 2026 season, the brand has refreshed its sporty Bubble Shoe silhouette, adding lightness, modernity, and a touch of luxury...

• The multi-ring 'wedding stack' becomes the new bridal standard

  First came the era of the mega-watt diamond engagement ring. Now, the "wedding ring stack"—a multi-layered curation of multiple bands—is claiming even more real estate on the ring finger. As modern couples lean heavily into the personalization of bridal jewelry, stacked wedding rings have emerged as a high-demand vehicle for self-expression. They elevate the classic engagement and wedding ring duo into a multi-tiered statement of personal style...

• “Don’t Be Greedy”: The Secret Behind Brunello Cucinelli’s Graceful Growth in a Crisis Era

  While the global luxury industry is going through a painful hangover and a sharp slowdown in sales, Brunello Cucinelli — often described as the “king of cashmere” — continues to move against the trend, quietly reaching new financial highs as competitors struggle to maintain momentum...

• Gucci “takes over” Times Square: Demna turns New York into a giant runway and unveils a new GucciCore era

  Gucci staged an unprecedented Cruise 2027 show in the very heart of New York City, effectively “taking over” the iconic Crossroads of the World intersection in Times Square. More than 70 years after opening its first international boutique in New York, the Italian house symbolically returned to its origins — and did so in a highly theatrical way...

• Louis Vuitton Resort 2026 — a collection where summer turns into a stylish dream

  Louis Vuitton has unveiled its Resort 2026 cruise collection, which feels like a bright, sun-drenched summer journey spanning the entire day — from surfing at sunrise to cocktails at sunset...

For Paris Fashion Week guests weary of nightmare traffic jams, air taxis probably cannot arrive on the Uber app quickly enough.

Nicolas Ghesquière, the eternal futurist and devoted fan of “colliding eras,” suspended several dozen windowless, wedge-shaped aircraft high above the paved runway of the Louis Vuitton show, which stretched the entire length of the Louvre’s vast Cour Carrée. Their headlights and taillights looked as though they had been lifted straight from 1970s science-fiction films, while navigation antennas lining the vertical tracks quietly blinked red, creating an almost surreal Blade Runner-like scene, according to WWD.

One of the most striking set designs of the fashion month framed a story about moving through a vast metropolis — a metaphor for today’s turbulent, overheated world. To counter that chaos, Ghesquière proposed clothing that was light, almost ergonomic and designed to move freely with the body.

“I wanted to convey a feeling of simplicity — a kind of striving for purity,” Ghesquière said during a preview. “The idea of lightness, of fluidity, is very important to this collection.”

And indeed, it was one of Louis Vuitton’s most airy, accessible and beautiful collections in recent years. At its core were familiar classic silhouettes — three-hole dresses, cardigans, blousons and pea coats — rendered in ultra-thin, translucent, fluid or paper-like fabrics that practically whispered of luxury and progress.

The colors were barely perceptible, the prints small or deliberately blurred, and the embroidery delicate and restrained. When the models passed close by, it was tempting to study the clothes carefully to catch the details, such as the mesh inserts on some lightweight slip dresses and fitted trousers.

The surface of one fitted leather blouson was covered in a fine raised texture, while most of the tailoring appeared to be made from jersey and knitwear. The clothes moved with the models — springing, swaying and seeming to float through the air.

Other reversible pieces were made from fabrics even lighter than chiffon. According to the designer, most of the coats in the collection weigh less than an ordinary T-shirt.

The show became a true hymn to weightlessness — and a challenge to gravity in every sense.

Follow NEWS.am STYLE on Facebook, Twitter and Instagram